Tuesday, September 15, 2009

PAUL BURKE 1926-2009


Naked City star Paul Burke gone at 83.


Paul Burke, who shot to stardom as Detective Adam Flint in the groundbreaking police drama Naked City has died from leukemia and non-Hodgkins lymphoma at his home in Palm Springs, California, September 13th, 2009.


Born in New Orleans in 1926, Burke enjoyed a four decade career in TV and film. Burke made his way to Hollywood at the age of 19, where he studied acting at the Pasadena Playhouse. In his early days in Hollywood, Burke managed to get small roles in features, but his real success would be in television in the 1950's and 60's. In 1960 he was cast in Naked City, a police series filmed in New York. Other series include Twelve O'Clock High, The Adventures of Superman, Highway Patrol, Dragnet and many others. Feature films include The Thomas Crown Affair and Valley of the Dolls. Remaining active in television, Burke joined the cast of Dynasty in the 1980s. In addition to his wife Lyn, Burke is survived by his three children from his first marriage.

PATRICK SWAYZE 1952-2009




After fighting pancreatic cancer since early 2008, the star of Dirty Dancing, Ghost, and Roadhouse, passed away on September 14th, 2009.
Visit his international fan club here: www.patrickswayze.net

Monday, September 14, 2009

VOTE IN THE '09 SAG ELECTIONS! TIME IS RUNNING OUT!


ONLY 11 DAYS LEFT BEFORE BALLOTS DUE!


VOTE! GET YOUR VOTES IN THE MAIL ASAP OR THEY WON'T MAKE IT IN TIME FOR THE SEPTEMBER 24TH DEADLINE!


If you lost your ballot or make an error, you MAY request a replacement ballot. Contact the Screen Actors Guild by telephone at 323-549-6458 or by email at replacementballot@sagDOTorg to request a replacement ballot. The deadline for requesting a replacement ballot is 12:00p.m. (PDT) on Monday, September 21, 2009.
BE SURE TO MAIL YOUR BALLOT IMMEDIATELY.


Your ballot must be received via U.S. Mail at the Los Angeles Post Office Box by 6:30 a.m. (PDT) Thursday, September 24, 2009.

Saturday, September 12, 2009

SAG CONDUCTS MEMBER SURVEY ON NEW MEDIA


SAG SURVEY RUNS THRU SPRING '09.

TELL SAG ABOUT YOUR NEW MEDIA WORK EXPERIENCES.

Hollywood, Sept. 12, 2009


From The Screen Actors Guild announcement of Sept. 10th, 2009:


With your participation, this member response tool (available until spring) will deliver the most current snapshot of the Guild’s involvement in new media entertainment. The resulting data will be crucial to identifying the effects of the TV/Theatrical Contract ratified earlier this year and to informing the next round of negotiations, slated for fall 2010.

This brief multiple-choice survey is completely anonymous. It also includes opportunities to elaborate on your work experiences, should you wish.

Don’t delay. Your responses will be invaluable in the next Wages and Working Conditions process, which begins formally in 2010!


Paid up SAG members visit http://www.sag.org/ for more information and to take the survey.

Friday, September 11, 2009

SEPTEMBER 11, 2009


Remembering those lost on the morning of September 11, 2001.

Thursday, September 10, 2009

A NEW VIDEO MESSAGE FROM KEN HOWARD

SAG ELECTIONS '09
A NEW VIDEO MESSAGE FROM KEN HOWARD

Wednesday, September 9, 2009

AND NOW, A MESSAGE FROM HUMPHREY BOGART


"If this election ends and you didn't vote,
you'll regret it.
Maybe not today.
Maybe not tomorrow,
but soon, and for the rest of your life."



VOTE! GET YOUR VOTES IN THE MAIL ASAP OR THEY WON'T MAKE IT IN TIME FOR THE SEPTEMBER 24TH DEADLINE!
If you lost your ballot or make an error, you MAY request a replacement ballot. Contact the Screen Actors Guild by telephone at 323-549-6458 or by email at replacementballot@sagDOTorg to request a replacement ballot. The deadline for requesting a replacement ballot is 12:00p.m. (PDT) on Monday, September 21, 2009.
BE SURE TO MAIL YOUR BALLOT IMMEDIATELY. Your ballot must be received via U.S. Mail at the Los Angeles Post Office Box by 6:30 a.m. (PDT) Thursday, September 24, 2009.

Tuesday, September 8, 2009

KEN HOWARD'S MESSAGE TO HOLLYWOOD MEMBERS


KEN HOWARD'S EMAIL TO HOLLYWOOD MEMBERS


HOLLYWOOD (September 8, 2009)


Fellow Hollywood SAG Members,


The most important question in this election is this: What steps must we take to strengthen the Screen Actors Guild and make sure we can negotiate the best possible contracts? I’ve described very clearly what I think the answer is. We need to build close relationships with all our fellow entertainment unions and approach future contract negotiations as a united front. Most critically, the two unions representing performers in our industry must work together as one. The surest way to achieve that is by merging SAG and AFTRA into one powerful national union.


Please go to http://uniteforstrength.com/?p=734 and you’ll see important video messages from Tom Hanks, William H. Macy, and Felicity Huffman explaining why they – along with Sally Field, Tony Shalhoub, Hector Elizondo and so many other SAG members – agree with me.


My opponent, Anne-Marie Johnson, sees it differently. She and her group, Membership First, chose to fight with AFTRA heading into last year’s TV/Theatrical negotiations, and it cost us terribly:

- SAG members lost tens of millions of dollars in increases and countless job opportunities during a ten month contract stalemate.

- SAG covered only 10% of the 2009 TV pilots.

- Lower revenues led to a 2-year budget deficit of $10 million, requiring 8% of SAG’s staff to be fired.

- Reduced earnings meant fewer members qualified for SAG health insurance and pension credits.

- Lower earnings contributed to the need for major changes to SAG’s pension and health plans, which will take effect in January, including higher health insurance premiums and deductibles, and a lower pension accrual rate.


With results like these, it’s no surprise that Anne-Marie Johnson and Membership First are now trying to sound like they embrace the idea of working together with AFTRA. But what you hear them saying may be very different from what they mean.

- They say they want “all performers in one union”… but they steadfastly oppose merger, the obvious way to accomplish that.

- They say SAG should “share services” with AFTRA… but they want to immediately end the legal agreement that prohibits SAG and AFTRA from publicly attacking each other.

- They say SAG and AFTRA must negotiate together in 2010… but Ms. Johnson pledges her first act if elected would be to ask performers who are members of both unions to choose between them. Is she suggesting that SAG should raid AFTRA’s membership? That would be ruinous.


We CANNOT afford to go back to the go-it-alone approach of Anne-Marie Johnson, Connie Stevens, and Membership First. Unite for Strength is dedicated to protecting the future for actors. If you agree that SAG is made stronger by working in partnership with our fellow entertainment unions, please vote for me, Amy Aquino, and all the Unite for Strength board candidates.


Respectfully,

Ken Howard


For more information about our candidates and to see all the UFS videos, please visit http://www.uniteforstrength.com/


**UNITE FOR STRENGTH VOTING GUIDE**

President – KEN HOWARD

Secretary-Treasurer – AMY AQUINO


Board of Directors – Please vote for ALL 33 board candidates below. DO NOT vote for more than 33 board candidates or your ballot will not be counted.


1 – Michelle Allsopp 6 – Patrick Fabian 9 – Jason George 10 – Dawnn Lewis 11 – Woody Schultz 12 – Michael O’Keefe 14 – Clark Gregg 19 – David Lawrence 20 – Amir Talai 21 – Doug Savant 22 – Dule Hill 23 – Clyde Kusatsu 25 – Tim DeKay 28 – Assaf Cohen 34 – Scotty Caldwell 35 – D.W. Moffett 39 – Mandy Steckelberg 40 – Richard Speight, Jr. 43 – Jenny O’Hara 52 – Gabrielle Carteris 55 – Hill Harper 57 – Bill Smitrovich 58 – Bob Bergen 59 – Ned Vaughn 60 – Nancy Travis 62 – Gregory Itzin 64 – Ellen Crawford 67 – Stacey Travis 73 – Christian Clemenson 74 – Conrad Palmisano 75 – Richard Fancy 81 – Marcia Wallace 82 – John Carroll Lynch


This message was sent by: Ken Howard, Senders valid physical postal address provided in accordance with federal CAN-SPAM Act is: 5757 Wilshire Blvd., 7th FL., Los Angeles, CA 90036


Please note that this address may not be used to send campaign related communications or contributions to the above mentioned candidate.


[PAID POLITICAL ANNOUNCEMENT]


This e-mail message is not an official communication of the Screen Actors Guild and has not been transmitted at Guild expense. The Guild is required by federal law to provide candidates with the opportunity to send you email messages. The following has been prepared by the candidate(s) and is not endorsed or reviewed by the Guild in any manner. The candidate(s) have not been provided with your e-mail address. The messages are being transmitted by an independent electronic communications firm.

MEMBER REMINDER: CROSS COUNTRY CAUCUSES FOR INTERACTIVE MEDIA TODAY

Attend a Caucus for an Update on the Status of Negotiations for the2009 Interactive Media Agreement

Tuesday, September 8, 2009

FROM THE SCREEN ACTORS GUILD:

Screen Actors Guild will host caucuses for the purpose of providing an update to members on the status of negotiations for the 2009 Interactive Media Agreement. The caucuses will be held in Los Angeles, New York, Chicago and San Francisco (please see the locations and times below).

Members of the Interactive Media Agreement negotiating committee and staff will be in attendance to provide the update.Please inform your fellow Guild members who work under this agreement about these important meetings. Participation is limited only by fire department regulations.

When: Tuesday, September 8, 2009
Locations:Los Angeles: Two identical caucuses will be held — you may choose the time that is most convenient for youFirst Caucus: 4–5:30 p.m. (PDT)Second Caucus: 7–8:30 p.m. (PDT)James Cagney Board Room, ground floor5757 Wilshire Blvd.Los Angeles, CA 90036Parking will be validated.

New York: 7-8:30 p.m. (EDT) (Videoconference with Los Angeles)Leon Janney Board Room360 Madison Ave, 12th floorNew York, NY 10017RSVP to Courtney Doherty by email at cdoherty@sag.org or by phone at (212) 827-1402

Chicago: 6–7:30 p.m. (CDT) (Teleconference with Los Angeles)1 East Erie St., Ste. 650Chicago, IL 60611RSVP to Kit Woods by email at kwoods@aftra.com or by phone at (312) 867-2547

San Francisco: 4–5:30 p.m. (PDT) (Teleconference with Los Angeles)350 Sansome St., Ste. 900San Francisco, CA 94104RSVP to Jessica Bowker by email at jbowker@aftra.com or by phone at (415) 391-7510

Performers who work the Interactive Media Agreement and who are not from these cities, yet happen to find themselves in these locations on the day of the caucuses are invited to attend.All paid-up SAG members in good standing who work under the Interactive Agreement should attend. Unfortunately, no guests allowed. Parents/guardians of young performers under 18 years-old are welcome. PLEASE BRING YOUR SAG MEMBERSHIP CARD FOR ADMITTANCE (paid thru October 31, 2009).

Monday, September 7, 2009

HAPPY LABOR DAY FROM THE SAG REPORTER!

THE SAG REPORTER ENDORSES KEN HOWARD, AMY AQUINO AND THE UNITE FOR STRENGTH SLATE IN HOLLYWOOD.

WE ENDORSE UNITED SCREEN ACTORS NATIONWIDE IN N.Y.--ALSO--RBD ENDORSEMENTS


Editorial by W. Burns, Editor-In-Chief
The SAG Reporter

Hollywood (September 7, 2009)

On Monday a week ago I wrote that I'd toss a coin on Friday as to whether we'd endorse any of the candidates currently running in the fall SAG election. Our correspondents, passionate men and women across the USA, hunched over their Underwoods pounding out stories on the '09 election and items concerning the Screen Actors Guild and its members, debated long and loud over the issue. Most were for it.


After examining the material from both sides I kept the coin in my pocket. This wasn't a question that would be answered by chance. Not by a proud pro-union man like myself. Not by the proud pro-union men and women who contribute so much time and effort in Hollywood, New York and in the Regional Branches. There is no question. If you're pro-union and are concerned about the Screen Actors Guild and its future, there is only one answer.

Therefore, it is with great pride that we endorse Ken Howard for SAG's National President, Amy Aquino for National Secretary-Treasurer, and the entire United For Strength slate in Hollywood. For your Hollywood voters guide, visit http://www.uniteforstrength.com/

We endorse Mike Hodge and the entire United Screen Actors Nationwide slate in New York. For your New York voters guide, visit http://www.unitedscreenactors.com/

We endorse, in the Regional Branch Division races, Helen McNutt in Philadelphia, Don Ahles in San Diego, Rik Deskin in Seattle. For your Regional Branch voters guide, please visit http://www.unitedunionperformers.org/ and click on your Branch Division, to stay updated.


Why are we endorsing them? That question will be answered in the The Sag Reporter over the next three weeks, as we file reports and stories that will examine, in detail, the current leadership in SAG and our unions history over the last several years, and stories about the important issues that face us now.

Today, Monday September 7, 2009, we celebrate Labor Day across the United States and its territories. Our union in the Screen Actors Guild is only as strong as our collective and direct involvement, and only as strong as the men and women that we elect to help lead us. The selfless men and women that have come together in Unite For Strength and United Screen Actors Nationwide have demonstrated strength, unity and intelligence with regard to the complex and difficult issues that confront us now and in the future. They have demonstrated true leadership qualities.

Mail your ballot, if you haven't already, by September 21, 2009 for your vote to count in this important election.

We hope that you have a wonderful and relaxing Labor Day with your friends and family, and that whatever part of the country you're in, the weather is pleasant and sunny.

For tomorrow we all go back to work. The never-ending work of actors. The work of finding work, of applying our craft in our work, of learning and growing as artists, and last but never least, the important work of our union, The Screen Actors Guild.

Friday, September 4, 2009

UNITE FOR STRENGTH: ON DIVERSITY AND THE DIRECTION OF THE SCREEN ACTORS GUILD


Hollywood (September 4, 2009)


AN OPEN LETTER ABOUT DIVERSITY AND THE DIRECTION OF SAG


To Our Fellow Screen Actors Guild Members,

We are candidates running for the SAG board with the slates known as Unite For Strength (www.UniteforStrength.com) and United Screen Actors Nationwide(http://www.unitedscreenactors.com/).


We’re running with these groups because they not only represent the strongest future for our union, but best represent its full diversity as well. Look at the candidates and supporters of the UFS and USAN slates and you will see actors who’ve worked every category from Background and Featured Performer to Series Regular and Film Lead. We represent and are comprised of African Americans, Asians, Hispanics, Caucasians, Jews, Muslims, Christians — the full breadth of diversity our country and our union have to offer.


We are proud that our national board, under a combined UFS, USAN, and Regional Branch Division majority, appointed David White to our union’s top staff position of Interim National Executive Director — the first African American to hold the position. This is one of the reasons we were saddened when Anne-Marie Johnson and other Membership First candidates filed a lawsuit against the Guild to remove Mr. White. In the seven months since Mr. White was hired, SAG has successfully negotiated six contracts, yet Ms. Johnson sued to replace him with his predecessor, Doug Allen, who never successfully negotiated a single SAG contract in over two years. Two judges have dismissed the case but Ms. Johnson and Membership First continue to appeal and add to the $170,000 of your dues money already wasted defending this frivolous lawsuit.


We would love to see diversity reach the highest levels in SAG, including the presidency, but not at the cost of our union’s financial well being, respect and unity. Our members have lost over $100 million because of the ill-conceived negotiating strategies of Ms. Johnson and Membership First. Additionally, the slurs and attacks publicly voiced by Ms. Johnson and Membership First have cost our union the respect and partnership of the DGA, WGA and, most regrettably, our sister union AFTRA. Each of these unions is a key ally in getting the strongest contracts possible. More to the point, the central role Ms. Johnson and Membership First played in the breakdown of the relationship between SAG and AFTRA means that under her presidency, any attempts at cooperation with AFTRA would be viewed as suspect.


We believe the best solution to many of our major issues is merger or at least a close working relationship with AFTRA. The recent shift in prime-time work between SAG and AFTRA means that single cardholders – especially background performers – may have to pay initiation fees and join the other union in order to retain the same work opportunities. The shift in work will also make it more difficult for members to qualify for health and pension benefits because their earnings could be split between the two union plans. The next President must mend ties with our sister union. Unfortunately, Ms. Johnson has made herself a pariah with AFTRA leadership, making her incapable of healing the relationship. She has also made clear her unwillingness to explore the possibility of merger. She declares she wants to “bring all actors under one roof” but provides no legally, financially, or ethically viable strategy to accomplish this.


We call on all SAG members to reject any and all personal attacks in this election — especially racial slurs. In a recent video interview, Ms. Johnson stated that she has received “a ton of racist emails” and that she “get[s] that every day.” This is obviously a grave matter and if any of those emails came from SAG members, we call on Ms. Johnson to immediately provide details of those communications to the Guild’s legal department. Membership must know that regardless of our political differences, no one in Guild leadership considers racism trivial and it is the obligation of all SAG members to report such incidents without delay.


Ms. Johnson, like many of us, has been a tireless champion for diversity and we applaud her dedication and advocacy in the boardroom. But during the period that Ms. Johnson and Membership First controlled our union, SAG did not grow stronger but was in fact weakened. It’s time for SAG members of every background to embrace a better approach. We are asking for your vote because Unite For Strength and United Screen Actors Nationwide represent that better approach: building strength through unity. We’re also proud to say we represent true diversity.


In Solidarity,
Hill Harper, Manny Alfaro, L. Scott Caldwell, Assaf Cohen, Jason George, Nancy Giles, Dulé Hill, Mike Hodge, Clyde Kusatsu, Dawnn Lewis, Amir Talai, Sharon Washington


**UNITE FOR STRENGTH VOTING GUIDE**

For Hollywood Division Members
President – KEN HOWARD

Secretary-Treasurer – AMY AQUINO
Board of Directors – Please vote for ALL 33 board candidates below. DO NOT vote for more than 33 board candidates or your ballot will not be counted.
1 – Michelle Allsopp

6 – Patrick Fabian

9 – Jason George

10 – Dawnn Lewis

11 – Woody Schultz

12 – Michael O’Keefe

14 – Clark Gregg

19 – David Lawrence

20 – Amir Talai

21 – Doug Savant

22 – Dule Hill

23 – Clyde Kusatsu

25 – Tim DeKay

28 – Assaf Cohen

34 – Scotty Caldwell

35 – D.W. Moffett

39 – Mandy Steckelberg

40 – Richard Speight, Jr.

43 – Jenny O’Hara

52 – Gabrielle Carteris

55 – Hill Harper

57 – Bill Smitrovich

58 – Bob Bergen

59 – Ned Vaughn

60 – Nancy Travis

62 – Gregory Itzin

64 – Ellen Crawford

67 – Stacey Travis

73 – Christian Clemenson

74 – Conrad Palmisano

75 – Richard Fancy

81 – Marcia Wallace

82 – John Carroll Lynch


**NEW YORK DIVISION MEMBERS**Please go to http://www.unitedscreenactors.com/ for a full candidate list and USAN voting guide.


This message was sent by: Hill Harper, Sender’s valid physical postal address provided in accordance with federal CAN-SPAM Act is: 5757 Wilshire Blvd., 7th FL., Los Angeles, CA 90036-3600

MEMBER ALERT: SAG CAUCUSES FOR 2009 INTERACTIVE MEDIA AGREEMENT


Attend a Caucus for an Update on the Status of Negotiations for the
2009 Interactive Media Agreement
Tuesday, September 8, 2009
FROM THE SCREEN ACTORS GUILD:


Screen Actors Guild will host caucuses for the purpose of providing an update to members on the status of negotiations for the 2009 Interactive Media Agreement. The caucuses will be held in Los Angeles, New York, Chicago and San Francisco (please see the locations and times below). Members of the Interactive Media Agreement negotiating committee and staff will be in attendance to provide the update.

Please inform your fellow Guild members who work under this agreement about these important meetings. Participation is limited only by fire department regulations.

When: Tuesday, September 8, 2009

Locations:

Los Angeles: Two identical caucuses will be held — you may choose the time that is most convenient for you
First Caucus: 4–5:30 p.m. (PDT)
Second Caucus: 7–8:30 p.m. (PDT)
James Cagney Board Room, ground floor
5757 Wilshire Blvd.
Los Angeles, CA 90036
Parking will be validated.

New York: 7-8:30 p.m. (EDT) (Videoconference with Los Angeles)
Leon Janney Board Room
360 Madison Ave, 12th floor
New York, NY 10017
RSVP to Courtney Doherty by email at cdoherty@sag.org or by phone at (212) 827-1402

Chicago: 6–7:30 p.m. (CDT) (Teleconference with Los Angeles)
1 East Erie St., Ste. 650
Chicago, IL 60611
RSVP to Kit Woods by email at kwoods@aftra.com or by phone at (312) 867-2547

San Francisco: 4–5:30 p.m. (PDT) (Teleconference with Los Angeles)
350 Sansome St., Ste. 900
San Francisco, CA 94104
RSVP to Jessica Bowker by email at jbowker@aftra.com or by phone at (415) 391-7510

Performers who work the Interactive Media Agreement and who are not from these cities, yet happen to find themselves in these locations on the day of the caucuses are invited to attend.

All paid-up SAG members in good standing who work under the Interactive Agreement should attend. Unfortunately, no guests allowed. Parents/guardians of young performers under 18 years-old are welcome. PLEASE BRING YOUR SAG MEMBERSHIP CARD FOR ADMITTANCE (paid thru October 31, 2009).

Thursday, September 3, 2009

MEMBER ALERT: WASH-BALT UNION MEMBER'S OBLIGATIONS AND STATUS OF THE UNION'S AGENCY FRANCHISES


Washington-Baltimore Branch Members: Important Information to Clarify the Status of the Union's Agency Franchises, and Union Members' Obligations There Under


Member Alert from the Washington-Baltimore RBD:


Because of the inherent complexities of agency relations today, SAG and AFTRA (the “Unions”) have received numerous requests from members in both the Virginia Beach and Washington, D.C. areas to clarify the status of the Unions’ agency franchises, and Union members’ obligations there under.


Pursuant to SAG and AFTRA Agency Regulations, Union members who choose to secure the services of an agent are, generally, required to choose from a list of franchised representatives [i.e. those that are bound by the Unions’ Agency Regulations, SAG’s Rule 16(g) and AFTRA’s Rule 12-C, respectively]. However, in some areas of the country, such as Virginia, SAG and AFTRA do not have a brick and mortar presence. In such limited circumstances, we are aware that some Union members may sometimes secure representation from agents that are not franchised, with the understanding that they have voluntarily chosen to enter into those arrangements at their own risk. In the latter scenario, SAG and AFTRA nonetheless strongly encourage members who are desirous of having Union protections to seek out franchised agents in the next nearest area where SAG and AFTRA do have a physical presence (such as Washington, D.C., for example). The Unions can only protect you when you are represented by franchised agents.


If you have made the decision to seek out non-franchised agents in areas such as Virginia, the Unions urge you to proceed with extreme caution before entering into any contractual relationship with an entity that may be operating under divided loyalties. For instance, a production company in a position to hire you that also bills itself as a “talent agency” wishing to represent you, should be thoroughly vetted before you sign on the dotted line. Union members are strongly encouraged to fully investigate companies that sell themselves as so-called “one stop shops” to ensure that there are no inherent conflicts of interest in their business models which could ultimately damage an actor’s long term career development/goals/earning capacity. e.g. if a producer you have worked for suddenly announces that it can also “represent” you as a talent agent, ask yourselves, “is this an irreconcilable conflict of interest? Is the production company more interested in keeping the costs of production down, or negotiating the highest possible wages and working conditions for my services as an actor?”


Other warning signals that should be closely heeded include, but are not limited to:
· Entities claiming to be “talent agencies” that seek to charge you upwards of 15% commission;
· Entities claiming to be “talent agencies” that encourage you to abandon your Union status in order to try to secure “non-Union” work;
· Entities claiming to be “talent agencies” that try to tether you to automatically renewing contracts;
· Entities claiming to be “talent agencies” that purport to own any of your work product or property as an artist in perpetuity;
· Entities claiming to be “talent agencies” that seek to have you indemnify them for the cost of doing business or litigation;
· Entities claiming to be “talent agencies” who attempt to get you to agree to non-compete clauses in their contracts, essentially prohibiting you from auditioning for other employers with which they have a pre-existing relationship.


Remember: Simply signing with some entity for the sake of securing an “agent” may, if not done cautiously in conjunction with your Union office/branch and with your long term business interests in mind, cause you and your career possibly irreparable and irreversible damage. In most instances, it is just not worth the risk. Should you have any agency-related questions, or are unclear about the status of entities with which you are seeking to work, please do not hesitate to contact SAG’s National Agency Departments at: (in LA) (323) 549-6729, AFTRA’s National Agency Department (in NY) at 212-532-0800, or the SAG/AFTRA Local Branch office (in Washington, D.C.) at (301) 657-2560. We can also be reached by email at zino.macaluso@sag.org, mcapuano@aftra.com and, locally, at jlove@aftra.com. Thank you.

Wednesday, September 2, 2009

REGIONAL BRANCH DIVISIONS ACROSS THE USA RESPOND TO ANNE-MARIE JOHNSON'S CAMPAIGN STATEMENTS


WEDNESDAY, 2 SEPTEMBER, 2009
RBD'S ACROSS THE COUNTRY BLAST JOHNSON'S STATEMENTS
SETS RECORD STRAIGHT ABOUT JOHNSON
THE REGIONAL BRANCH DIVISION'S FULL RESPONSE:
(Johnson's actual quotes in RED)

Recently SAG presidential candidate Anne-Marie Johnson sent a letter to Regional Branch Division SAG members, asking for their support of her run for that seat.

Those of us who have served alongside Ms. Johnson take broad and deep exception to this letter, whose words simply do not square with her deeds of the past many years of service to the Hollywood Division — the only Division she really serves.

So Regional Branch national board members, council presidents, council members and members at large analyzed the campaign literature paragraph by paragraph, and responded to it. This, from folks who have had front row seats in the board room and at national meetings nationwide. These Regional Branch Members are rank-and-file “boots on the ground,” and you can trust their observations as astute and accurate.

You’ve read what Hollywood member Anne-Marie Johnson has written to Regional Branch Division members regarding her candidacy for president of Screen Actors Guild.

Now read what Branch members, most of whom serve on the SAG National Board or are Regional Branch presidents, have to say about Ms. Johnson and her claims.

Members from across the country looked at her letter paragraph by paragraph… and their response is revealing! As you read, ask yourself: who do you trust? A Hollywood member who believes Branch performers are “hobbyists” and whose stated claim is to pull all work back to Hollywood — or your fellow Regional Branch Division members, who have observed Ms. Johnson in action for years?

Actions, after all, speak louder than words.

JOHNSON
As one of SAG’s presidential candidates, I wanted to personally communicate with you regarding the upcoming election. When elected, I’ll be the national president, representing all SAG members. Not just the members in Hollywood or New York.

THE BRANCHES RESPOND•Really? Is that why Ms. Johnson led a movement to force block voting, thereby depriving the Branches of a voice in the TV Theatrical contract negotiations? After all, it was her motion that started the entire debacle resulting in protracted negotiations and a breakdown of relations with AFTRA.
Mary McDonald-Lewis, National Board Member, Regional Branch Division, Portland

•This is very interesting as Ms. Johnson has nothing but disdain for actors outside of Hollywood. And her faction, Membership First, has done nothing but try to marginalize actors in the Branches.Rik Deskin, Regional Branch Division, President, Seattle

•I find that impossible to believe. Ms. Johnson and her Membership First followers have made it clear that they would like nothing better than to close the Branches. She and her followers also consider “runaway production” any work done outside of Los Angeles. Ms. Johnson truly believes we are “hobbyists” who shouldn’t have a say in the contracts or running of the Guild — that’s the job of the “real actors” in Hollywood. How does that make her a national president?Debra Nelson, National Board Member, Regional Branch Division, Atlanta

•So we should believe Ms. Johnson will be willing to represent, without bias, the MAJORITY of SAG members she essentially sued when the MAJORITY’S elected representatives were forced to take the only option left to them, so the voice of the MAJORITY of members would be heard. Please pardon my skepticism.
Mike Montgomery, Regional Branch Division, President, Nashville

“I don’t know who you people are, and I don’t care who you are. I’m not your friend. I don’t need any more friends. My only concern is Hollywood, and the members here. So I’m not sure what I’m even doing in here. Nothing you say or do is of any concern to me.”
Anne-Marie Johnson, Regional Branch Meeting, National Board Plenary, October 2003


JOHNSON
My record with regard to national Guild concerns is clear. As a national board member for over 10 years, I’ve consistently voted in favor of dues waivers requested by our branch board members. I’ve spent many years of my career working outside of Hollywood and know first hand the dearth of SAG covered work in many regions in this country. Especially in Right To Work states, making it even more difficult for SAG members to afford yearly mandatory union expenses.

THE BRANCHES RESPOND•I made the presentation to the National Board for the temporary waiver/reduction in dues. All of Membership First, including Ms. Johnson, fought tooth and nail against the waiver. It was only passed because they did not have the majority in the Boardroom at the time. And while she claims to understand the dearth of SAG work in the regions because she worked outside of Hollywood for years, the truth is she “shot on location” outside of Hollywood. That’s far different from living and working in a Branch. In the past she has used this same issue to push the idea of qualified voting. In fact, she and Membership First have consistently argued that National Board members from the Branches were less than worthy of an equal say in the running of the Guild because of the supposed dearth of work we’ve done. Going so far as to hold up what was said to be IMBD printouts from Hollywood Board Members compared to those from RBD Board Members. And Ms. Johnson has exhibited little interest if any in doing a single thing to improve Right to Work markets. I sat on the dais with Cece DuBois to present a report to the National Board on the issues facing Right-To-Work. Anne-Marie sat directly in front of us with a dismissive attitude, laughing, snickering and whispering to Alan Rosenberg the entire time. And don’t forget she and Alan filed a lawsuit against the Guild that originally included me and every other member of the National Board in the Branches she “loves and supports” so much. A lawsuit which is ongoing and costing the members thousands upon thousands of dollars.
Debra Nelson, National Board Member, Regional Branch Division, Atlanta

•This is very gracious of Ms. Johnson as her real efforts have been about amassing power in Hollywood and trying to dictate terms and railroading committees to her needs. She has also consistently voted against the best interests of SAG members.
Rik Deskin, Regional Branch Division, President, Seattle

•AMJ’s been in the room for ten years, all right. And during that time she has proven herself to be volatile and contemptuous, a power grabber who consistently displays disregard and disrespect for NB members in the Branches.

At one National Board meeting in the recent past, an MF member rose to speak at a mic. The member held in her hand a stack of printouts from the website, IMDB. As this individual moved to the mic, AMJ leaned to the person next to her and said, “Oh, there goes F– F–: watch. This is gonna be great!” The MFer at the mic waved the pages over her head, and proceeded to try and annihilate the RBD reps by claiming the pages proved their status as “hobbyists.”

AMJ feigned outrage from the dais, and – in her pro forma performance – offered up an apology for this “conduct’”… and, “scene.” Seriously. It was all scripted. An act. With MF, and AMJ, it always is.

And it’s interesting that her PR consultant had her list Right to Work as an “issue of concern to her.” Could have been a smart move, but she forgot to tell the PR guy that when the Right to Work presentation was given she sat in the front row and made jokes, whispered about the presentation with the guy next to her, laughed, made catcalls, and was generally obnoxious throughout. And the guy next to her fell asleep. That was Alan Rosenberg. What a pair.
In short, Anne Marie Johnson is an abusive dictator who cares NOTHING for the Branches, but who will say ANYTHING to convince you otherwise so that she can get and stay in control.
Cece DuBois, National Board Member, Regional Branch Division, Nashville

•Ms. Johnson’s “record… is clear” indeed. She and her Membership First comrades have bullied and belittled Regional Branch representatives relentlessly. As to voting in favor of dues waivers, MF let the RBD know that they fully expected quid pro quo, and that we’d better vote for what “Hollywood” wants next time. And what their Hollywood wants is rarely in the best interest of Branch members. During her visit to my Right-to-Work state, concerns expressed by our members fell on deaf ears.
Suzanne Burkhead, National Board Member, Regional Branch Division, Dallas-Ft. Worth

JOHNSON
As recently as July 2009, I, along with the president, secretary-treasure and 2nd vice president, based on a request from 3rd vice president David Hartley-Margolin, supported a motion delaying the automatic increase in SAG’s initiation fee specifically because of the potential hardship it may cause new joins in our branches.

THE BRANCHES RESPONDHere’s what SAG 3rd VP David Hartley-Margolin, whom Ms. Johnson quotes, has to say about his name being used in her propaganda:
•Anne-Marie has political skills, there’s no doubt about that. She has taken an off-hand inquiry I made to David White at the RBD meeting in Atlanta in June, twisted it carefully so that it appears on its face as being something the RBD was desperate for, and gave a snapshot report of a meeting where the five officers decided to move the concept forward for the entire union, in order to fight off her Hollywood centric image.

Use of my name without notifying me of the intention to do so as a backdoor method of inferring my support of Anne-Marie and the MF slate is not particularly surprising considering the source. Like I said, AMJ has political skills.
David Hartley-Margolin, SAG 3rd VP, Regional Branch Division, Denver

•This is very surprising as building consensus has been the least of priorities for Ms. Johnson. I believe that this was done to appear magnanimous; however the deception is that she and her Membership First faction use this as part of their ammo against the Branches.
Rik Deskin, Regional Branch Division, President, Seattle

JOHNSON Unlike my opponent Seymour Cassel, I believe a member should have as many opportunities to work SAG jobs, assisted by SAG staff, with strong representation on the national board, wherever they live in this country.

THE BRANCHES RESPOND•”Strong representation”? Ms. Johnson actively supported a promoter of Financial Core for the National Board seat in Portland. Is she not aware that Financial Core is one the biggest threats to SAG? Or was she not aware that the person she was campaigning for was a promoter of FC? Either way, it speaks poorly of her as a member, let alone candidate for office.
Robert Blanche, Regional Branch Division, President, Portland

•This is contrary to Ms. Johnson and her Membership First minions’ mantra of everyone outside of Hollywood being “hobbyists” or “pygmies of the entertainment world.” “Strong” representation means running candidates that are proponents for financial core and for consolidating power in Hollywood.
Rik Deskin, Regional Branch Division, President, Seattle

JOHNSON
Unlike my opponent Ken Howard, I was a strong opponent of the 2009 TV/Theatrical Contract for several reasons but most specifically due to the New Media proposals. Those proposals now allow SAG signatory employers to produce non-union work in New Media with budgets $15,000,00 per minute or less. No guaranteed minimums, P & H contributions or residuals. I believe our employers will choose to produce these New Media production in Right To Work states, taking advantage of the ever growing non union talent pool, making our SAG branch members obsolete. I was against the 2009 TV/Theatrical contract because of New Media, loss of the mileage increase and other issues which I believe will harm a disproportionate number of our branch members.


THE BRANCHES RESPOND•Ms Johnsons’ opposition to the TV/Theatrical Contract was an exercise in irrational, illogical behavior. There was no way we were going to get a better contract than our sister unions and the war Ms. Johnson and her Membership First minions fought against AFTRA reduced our leverage at the Negotiation table drastically. Ms. Johnson’s adversarial tone helped to create a tense negotiating climate.
Rik Deskin, Regional Branch Division, President, Seattle

•Ann-Marie writes in paragraph 7, “Especially in Right To Work states, making it even more difficult for SAG members to afford yearly mandatory union expenses.” Note her comment on Right to Work in this paragraph is contradicted by her comments in paragraph 5 where she writes “I believe our employers will choose to produce these New Media production in Right To Work states… making our SAG Branch members obsolete.”
•Our members gladly pay dues, with pride in our union, even when there is no work. The issue is initiation fees that are affordable for actors living outside of Hollywood, for whom the opportunity to recoup the initial fee investment is far more difficult.
Art Lynch, National Board Member, Regional Branch Division, Nevada

•Ms. Johnson’s opposition to the contract, and obstructionist attitude toward making a deal in the first place cost our members millions of dollars in lost work. Our members wanted a deal. Right-to-Work? Please. She’s never offered support of our issues before. Ken Howard understands and supports the needs of the RBD. Ken’s intelligent, measured, and reasoned style is much more conducive to improving conditions within our union and in the industry, rather than Anne-Marie’s confrontational, bullying manner.
Suzanne Burkhead, National Board Member, Regional Branch Division, Dallas-Ft. Worth

JOHNSON
Unlike my opponent Ken Howard, I have never nor will I ever support any motion to institute any form of Qualified/Affected Voting. Any plan of selected qualifications for the right to vote on SAG contracts will greatly impact members living in areas where work is more than sporadic at no fault of our members. Qualified/Affected Voting is an elitist notion that I will not support.

THE BRANCHES RESPOND•Ms. Johnson continues to dig up straw man arguments. This is hardly more than an afterthought for Ken Howard and Unite For Strength. And what’s interesting to note is that we already have Qualified Voting in regards to some of our contracts like Animation and Interactive Media.
Rik Deskin, Regional Branch Division, President, Seattle

•Membership First was the group that circulated the idea of Qualified/Affected Voting in hopes of disenfranchising regional members in key contract votes. When MF discovered that Qualified/Affected Voting would also erode their LA power base, including extras, the idea was quickly tabled. Now she wants us to believe that MF never went in that direction. False! She and Alan Rosenberg specifically brought it up at an Atlanta RBD Meeting. Don’t be fooled by her moderate posturing during this election, she has repeatedly proven to be harsh and vindictive towards RBD members. It is also interesting to note that regional members have captured a large share of new series and theatrical roles.
With LA production capacity down almost 60%, the old Hollywood system may be gone forever. Now who’s qualified?
Ric Reitz, Regional Branch Division, Atlanta

JOHNSON
Unlike my opponent Ken Howard, I am against the use of the Written Assent. I believe it is a flaw in SAG’s constitution and I have joined in a lawsuit against my union to correct what I believe is blatantly unfair. The Written Assent denies the minority a voice in board decisions. From 2005 to 2008, while in the majority, Membership First never used the Written Assent, which would have allowed the majority to take any action, large or small, without the input or objection of the minority. Although Membership First has been accused of wanting to close branch offices, during the years Membership First held the majority on the board, not one single branch office was closed. Just the opposite. In 2007/08, the Guild, under a Membership First majority, with the leadership of Doug Allen, promoted a staff person to Regional Branch Executive Director, added an executive in New Mexico and hired more SAG staff to assist our members in New Orleans, Dallas, Philadelphia, Las Vegas and Miami.


THE BRANCHES RESPOND•Ms. Johnson Has cost SAG members an extraordinary amount of money to defend the lawsuit she filed, and has refused to drop though the courts have dismissed it repeatedly. No one wanted to resort to Written Assent, but as the court has repeatedly ruled it is fully within legal boundaries. As we can see from this latest statement, Ms. Johnson still refuses to accept the facts and plans to continue fleecing the membership. The truth is that Membership First never needed to use Written Assent, because other parties succumbed to the will of the body. MF turned to obstructionist politics once they lost the majority, forcing Written Assent. As for closing of the Branches, it was too late; contrary to Ms. Johnson’s assertion, Branches that had not already lost brick and mortar did lose funding for the joint offices, leaving AFTRA to go it alone in branches that had been shared.
Robert Blanche, Regional Branch Division, President, Portland

•What Ms. Johnson leaves out here is that the motion which was ultimately passed by written assent was brought to a National Board Meeting on January 12, 2009. That meeting was filibustered by Ms. Johnson and her Membership First cohorts. The meeting lasted 28+ hours, during which time the minority, Membership First, had 28 continuous hours of “input and objection” to the motion on the floor.

The reason written assent was never used by Membership First when they were in the majority is that the minority never filibustered a meeting, thereby preventing the business of the Guild from being completed. The Membership First filibuster of January 12/13, 2009 resulted in no Board business being completed – other than the Pledge of Allegiance to the Flag – costing the Guild many thousands of dollars.

If Ms. Johnson believes this provision in the Constitution to be “flawed,” then there are built in democratic processes she could utilize to correct the perceived flaw. A lawsuit is not the answer.
Kathryn Howell, Regional Branch Division, San Francisco Branch President

•This would be funny if it weren’t so pathetic. Ms. Johnson’s club, Membership First, is actually running candidates of their own in Philadelphia as well as other Branches right now. Their candidates? In Portland, it was a pro Financial Core actor living 5 hours from Portland with no idea of the market or its challenges. In Philly, MF found a candidate after promising career advancement to him. In San Diego, Ms. Johnson herself is funding the campaign of the MF candidate. Their choices in other Branches are equally stellar, and all with one goal: to shift all power to Hollywood, and close the Branches down. No wonder they want SAG staff in the regions: to help pack up the files and turn off the phone.
Mary McDonald-Lewis, National Board Member, Portland

•The use of Written Assent was a last resort due to the unparalleled filibuster proliferated by Ms. Johnson and her Membership First faction. The damage and cost done to the Guild by the machinations of Ms. Johnson, Membership First and their puppet mouthpiece Doug Allen had to be stopped for the greater good.
Rik Deskin, Regional Branch Division, President, Seattle

•The truth is that Las Vegas did not add a staff person. For one we are the Nevada Branch and not Las Vegas Branch, and our executive was based in Los Angeles serving Nevada and San Diego. Under pressure from the Nevada Branch, from our Nevada Branch executive, National Executive Director Linda Dowell and under promises made under Bob Pisano and David White years before, an executive position was transferred to Las Vegas to serve both Nevada and San Diego. She did not even get our branch name correct. Our executive does not have a secretary, there is no actual branch office outside of his home, and the number of Regional Branch staff has been reduced.

The office is something Nevada membership has been vocal for since our office with a staff of three was shut down. Our members being the squeaky wheel had more to do with the change than anything else. Ann Marie did not contact any of the Nevada SAG officers or council to talk about our executive or office.
Art Lynch, National Board Member, Regional Branch Division, Nevada

JOHNSON
I take my SAG board obligations seriously. Unlike my opponent Ken Howard, my over 10 years of board meeting attendance records are irreproachable. Just in the past year there have been 10 Hollywood Division board meetings. I attended and chaired ALL 10. Mr. Howard attended ONLY 2. In the past year SAG has held 9 national board meetings. I attended ALL 9. Mr. Howard attended ONLY 3.

THE BRANCHES RESPOND•Ken Howard was on the East Coast for 6 months doing a play. Not just any play, but an award winning, critically acclaimed one-man show. A little hard to replace him for that. However, he made sure he secured an alternate at all times to be seated in the room. Though working, he received all the information about what transpired during those meetings. Ms. Johnson insults the Branches regularly claiming we are not working actors, and then chastises Mr. Howard for being just that.
Mary McDonald-Lewis, National Board Member, Regional Branch Division, Portland

•Ms. Johnson is obsessed with her SAG obligations, plain and simple. At the expense of her acting career. Mr. Howard was unable to attend these meetings due to work, which is why there are provisions for Alternates.
Rik Deskin, Regional Branch Division, President, Seattle

JOHNSON
The Screen Actors Guild is a labor union and needs to be lead like one. I have the experience and union know-how to serve SAG members with insight and determination. With the patience and desire to truly listen to all members’ concerns, I am willing and able to proudly serve as your next president. Both Connie Stevens, SAG Secretary-Treasurer candidate, and I would appreciate your support.

THE BRANCHES RESPOND•As a result of Ms. Johnson’s actions, board members incur the personal expense of error and omission insurance since you sue those have differing views than yours; according to the “press” you (Membership First) were part of a Board meeting filibuster that precluded accomplishment of Guild business…is that how you’d lead?
Steve Fried, National Board Member, Regional Branch Division, Arizona

•Patience is not in Ms. Johnson’s vernacular. I have seen nothing but impatience from her on the dais and while I agree that the Screen Actors Guild is a labor union, having maniacal, obsessive leadership is not productive in the least.
Rik Deskin, Regional Branch Division, President, Seattle

•SAG is a labor union, and as a labor union should strive for peace with its fellow unions, not war. The aggressive Anti-Phase One campaign, led by Ms. Johnson, was a key cause in the breakdown of our TV-Theatrical contract negotiations, costing YOU millions of dollars.
Mary McDonald-Lewis, National Board Member, Regional Branch Division, Portland

•Patience is not something I have observed in the boardroom. Anne-Marie has shouted down or shut down objections to the Towers-Perrin report (a report that resulted in a reduction of Branch voices within the union). She shut down all debate and was a strong part of why no Guild Business was conducted during the 28-hour consecutive board meeting. That meeting resulted in the Branches, New York, Hollywood moderates and some stalwart Hollywood Independents taking drastic action because we were not allowed to debate, or vote on issues in the boardroom under Anne-Marie and Membership First. We were shut out of the democratic process.
I sat behind Anne-Marie during a debate over Towers-Perin and the restructuring of the Guild to its current governmental organization. I recall she insisted that minority representation would not suffer if we moved to proportionate voting and a smaller board. In fact the reverse has been true, initially with reduced African American presence and Native Americans on a board that had previously served those populations. The number of voices for the Branches and New York were also greatly reduced and a complicated weighted voting system initiated under a plan she backed and which eventually passed.
Art Lynch, National Board Member, Regional Branch Division, Nevada

•Any real supporter of the labor movement understands that trying to weaken one labor union ultimately weakens all of us. Ms. Johnson supported the anti-AFTRA campaign and has continued to disparage our sister union.
Suzanne Burkhead, National Board Member, Regional Branch Division, Dallas-Ft. Worth

•Anne-Marie Johnson writes how she will lead, but she has already shown us how she will lead. Her previous actions tell all. Eight expired contracts, filibuster to stop the business of the National Board, disparaging remarks against other unions, disparaging remarks about actors in the Branches, and a lawsuit against her own union that she will not drop even though it has been denied in two courts. Her leadership has wasted members’ dues money and created job loss. She has shown us how she will lead. So do not be fooled by her words here. Anne-Marie Johnson only wants to serve Anne-Marie Johnson.
Laura Kenny, Regional Branch Division, Council Member, Seattle

•Ms. Johnson will listen to her own “Insight and determination,” the former of which is lacking member input, and the latter, which is in overdrive. She has refused to listen to the fact that 78% of the voting members disagreed with her and voted for the TV/Theatrical agreement. In fact, she continues to decry the agreement when it was overwhelmingly ratified, indicating how out of touch she is with SAG members across the nation as well as in her own Hollywood Branch.
Robert Blanche, Regional Branch Division, President, Portland

JOHNSON
For more information about my union experience and my plans to make the Screen Actors Guild an even stronger labor union, including uniting all actors-performers under one roof, please visit www.anne-mariejohnson.net.

THE BRANCHES RESPONDLet’s let Ms. Johnson define just what she means by “all actors under one roof.” Here’s a transcript of a taped talk she gave at a members’ meeting in Atlanta, Georgia in January 2009. Thanks to member Barry Stoltz for providing it.

Question from an Atlanta member: What is the biggest problem that you personally see with us merging? Why can’t we do it? I’m terribly naïve.
Anne-Marie: I can tell you what the problem is. I believe all actors should be under one roof and one roof only. I do not want broadcasters under that roof. There’s your answer.
Mike: But what… I think his question was what’s the obstacle?
Anne-Marie: To me, you asked me about merger, I want all actors under one umbrella.
Mike: But I think his question was what do you think the obstacle is to that happening?
Anne-Marie: There are many obstacles, but you asked me… In my opinion, I want all actors under one roof and not broadcasters.
Barry Stoltz, Regional Branch Division, Council Member, Atlanta

•Anne-Marie’s plan for “uniting all actors-performers under one roof” faces serous challenges under Federal Labor Law and in the clear raiding of other unions’ jurisdictions.
Art Lynch, SAG National Board Member, Regional Branch Division, Nevada

•Ms. Johnson’s “all actors under one roof” is not an indication of her desire to merge SAG and AFTRA, as it is a form of hostile takeover, and it will not work, especially since MF’s aggressive approach toward AFTRA contributed to a breakdown in relations between the unions, which ultimately strengthened AFTRA in primetime and episodic television and caused the unions to negotiate separately. Instead of aggressively organizing work for members as the jurisdictional battle heated up, AMJ, MF and Doug Allen chose to expend energy trying to stop AFTRA from organizing, which proved to be an incredibly poor tactic. We don’t need more of that kind of thinking and waste of effort, the kind Ms. Johnson and Membership First have been promoting as long I’ve been on SAG’s political scene.
Robert Blanche, Regional Branch Division, President, Portland

•Ms. Johnson’s “union” experience includes a standing lawsuit against the Screen Actors Guild, warring with a sister union, disparaging comments, marginalizing union members outside of Hollywood, spending member’s dues to fund opposition to a sister union’s contract. Ms. Johnson is very skilled in Robert’s Rules of Order and increasingly finds ways to bend them to her will.
Rik Deskin, Regional Branch Division, President, Seattle

•I’ll tell you about Anne-Marie’s “plans.” She offered to chair a Task Force to investigate “acquiring” AFTRA actors. AFTRA has made it clear that it is not interested in any of her “plans.” Ken Howard and Amy Aquino can deliver the solidarity that we so desperately need, especially in these challenging times.
Suzanne Burkhead, National Board Member, Regional Branch Division, Dallas-Ft. Worth

•For information you can trust about Ms. Johnson’s real agenda, visit http://www.unitedunionperformers.org/ , http://www.unitedscreenactors.com/ , and http://www.uniteforstrength.com/
Mary McDonald-Lewis, SAG National Board Member, Portland

JOHNSON
Sincerely,

Anne-Marie Johnson

THE BRANCHES RESPOND•Sincerely? I don’t think so. Does Ms. Johnson, who sits on SAG’s National Communication Committee and on the Editorial Subcommittee for Screen Actor Magazine, know that the words “Branch” and “Branches” are always to be capitalized, according to the Guild’s Manual of Style? If Ms. Johnson doesn’t respect the name of the Regional Branch Division, what makes you think she respects the Branch members who make it up?
Mary McDonald-Lewis, SAG National Board Member, Portland

THE FINAL WORD Since Anne-Marie is so proud of her political party Membership First, we’ll let Johnson supporter and card-carrying MFer Ed Asner have the last word on how Ms. Johnson’s group really feels about the Branches.
“We are surrounded by the pygmies of the entertainment world. We’re surrounded by AFTRA. We’re surrounded by NY, and its little people branches.” — Ed Asner, in a speech delivered in Griffith Park, 5/17/09

DON’T RELY ON ANNE-MARIE JOHNSON’S WORDS:LOOK AT HER DEEDS.ELECT KEN HOWARD FOR SCREEN ACTORS GUILD PRESIDENT.

CAMPAIGN CLOSE-UP: RIK DESKIN FOR THE SEATTLE BRANCH DIVISION


CAMPAIGN CLOSE-UP: RIK DESKIN, SEATTLE RBD
Rik Deskin, SAG's Seattle Branch President and running for re-election, has been a Screen Actors Guild Member since 2003, and has served both locally and nationally on committees and task forces. Local Committees have included Organizing and Nominating as well as Wages and Working Conditions Committees for Industrial (Chair) and Commercials (Seattle Alternate Chair) and currently on the Negotiating Committee (Alternate Chair) for the Northwest Commercials Code. Deskin is also a Delegate for SAG to the Martin Luther King County Labor Council.


National Committees include: Alternate Eligibility Task Force, Casting On Line Task Force, Comedians (RBD Chair), Commercial Performers, Communications (RBD Vice Chair), Screen Actor Magazine Editorial Sub-Committee, Howard Keel Award Review, Interactive Contract Negotiating Committee (RBD Chair), LGBT, Low-Budget, New Technologies, and the TV Animation Negotiating Committee. Recently he had the opportunity to stand-in as Alternate for the National Director for Seattle, Abby Dylan at the Regional Branch Division Meeting in Atlanta. As an Alternate Deskin has worked to foster and cultivate relationships with fellow Alternates and National Directors across the country.


Recently, SAGWATCH has posted 30 questions for candidates running for office in the SAG elections. To date, only three have responded, Deskin being the most recent.


Q. What do you see as the responsibility of the office of SAG President (or the office for which you are running)?


DESKIN: The ultimate responsibilities of SAG President are to listen to all the members. To be a positive force and face for the entertainment industry and to cultivate a culture of collaboration amongst our industry peers. This is mirrored in the office of Seattle Branch President/Alternate National Director which I am running for re-election for.


Q. Why do you believe you are qualified to serve? Is the position you seek one for which a lot of previous union experience is necessary?


DESKIN: I’m qualified because I believe in advocacy for actors and the industry we work in. And no pun intended, but I “act” on that. I love acting and I love actors and I will do everything in my power to improve the courageous lives of actors. As far as my union experience, I was thinking like a union actor before I was even union. I’ve been a union member since 2003 and have been activated ever since. I still have more to learn and I look forward to that.


Q. Do you have the time to do the job?


DESKIN: Yes I do. Depending on the day or the week and what sort of acting work I book, I’m on 24/7 and if not available, I have very accomplished Alternates available to send in my stead.


Q. What do you see as the single greatest challenge facing SAG today, and, if elected, how would you address that challenge?


DESKIN: Our greatest challenge is relevance. How do we remain relevant in the 21st century and keep pace with the rapidly changing industry? How do we remain relevant as organized labor when all of our employers also employ our sister union performers. Being united is the only way. The old adage is true that there is strength in numbers.


Q. Do you think it is important, or even possible, for the various factions in SAG work together? What would you do to make that happen, or, if you believe it’s not possible, how will you cope with the schism?


DESKIN: I think it’s possible if we are rid of key instigators. I’m all for consensus, but I believe you reach it acting as adults and not playing High School Drama Club games. We are here to represent the members’ best interests, not our own.


Q. If elected, would you support any action by the National Board to remove David White as NED? Should he be given a contract to remove interim from his title?


DESKIN: Not at all. This man has done so much to help correct the direction of this ship. He should definitely be given a contract and become our Executive Director. I appreciate how patient and dedicated he is on behalf of all the membership.


READ THE REST OF THE Q&A AT: http://www.sagwatch.net/ click on "30 Questions For Candidates" in the right-hand column.

Learn More about Seattle Branch President Rik Deskin at http://www.unitedunionperformers.org/