Tuesday, July 21, 2009

SAG UTAH BRANCH ANNOUNCES ELECTION RESULTS

SAG ELECTIONS '09 NEWS.
Los Angeles (July 21, 2009) - Screen Actors Guild today announced election results for the Utah Branch elections.

Candidates elected from the Utah Branch include:

Anne Sward - President - two-year term
Paul Mulder - Vice President - two-year term
Kathy Jarvis - Secretary - two-year term
Tracy Scott - Treasurer - two-year term
Cheryl Gaysunas - Council Member at Large - two-year term
Joyce Cohen - 1st Alternate Council Member - one-year term
Donre Sampson - 2nd Alternate Council Member - one-year term

Those members elected as Officers and Council Members at Large will also be elected as Alternate National Directors who may be called upon to serve at National Board Meetings when the National Board member from Utah Branch is unavailable to attend.

The candidates named today ran unopposed and were elected without the necessity of ballot vote pursuant to the Branch Rules of Procedure. The newly elected leaders will assume office on September 25, 2009.

Elections are being conducted in other SAG Branches and divisions across the country with all ballots tabulated no later than September 24th. The results of those elections will be reported when completed.

Saturday, July 11, 2009

UPGRADE AND SITE FIXES UPDATE

We're catching up and have lost some older posts during our redesign and upgrade of the site.

We're trying to get the older missing posts back up as soon as possible.

Please hang in there and thanks for your understanding! Missing posts will be back as soon as we have time to get to them.

Saturday, July 4, 2009

JUSTINE BATEMAN RESIGNS FROM SAG'S NATIONAL BOARD


HERE'S BATEMAN'S RESIGNATION LETTER, DATED JULY 1, 2009.

To All,

I am resigning my position as SAG National Board member and withdrawing my bid for re-election effective immediately.

I initially ran for the Board 3 years ago to affect a change in three areas: the almost non-functioning web-site, the poor agent-relations, and the seeming absence of jurisdictional lines between SAG and AFTRA.

I am happy to have been able to effect the change in the web-site with the help of that committee, Doug Allan, and Pamela Greenwald, but the other goals have alluded me and have just become worse.

Agents are now not only owned in part by organizations that would create conflict of interest, but acting as the production company themselves and nobody saw fit to stop that. Now, though, we’re very far on the other side of that and I suppose actors have not really given thought to to the concept of being represented by an advocate with no conflicting alliances.

AFTRA has just basically, after years of trying to get SAG’s attention by lighting the newspapers on the porch on fire, have finally succeeded in partially burning the place down. And all we dual-card members be damned.

We should have bought that scumbag organization years ago and shut that duplicitous leadership upinstead of submitting to this “non-disparagement agreement” by which I am, happily, no longer bound.

And our own SAG leadership gagging Alan Rosenberg and Connie Stevens? What is this? Communist China or tumultuous Iran? I can’t a part of a union leadership that strips it’s elected leadership of its voice. If we can’t speak up about injustices in union matters, how are we being effective at all in office? No, better to not be a part of it and to be able to speak freely against what I see as irresponsibility, fear, greed, and ego-driven decision-making.

And then there is the membership itself. They rarely expressed the correct anger at AFTRA low-balling contracts over the years that affected their ability to provide for themselves. They then ignored, seemingly, ALL the news about the migration from Old Media to New Media and recently took from the AMPTP the worst deal I have ever seen. For nothing.

This is not the make up of membership that could have gotten us Health and Pension or Residuals like our older members struck and fought for years ago. We have all enjoyed those benefits, but when it was our turn to protect them, we blew it. AFTRA blew it. And then we blew it by not expressing absolute outrage over their tactic of GREATLY encouraging their newscasters and weathermen to vote up that AFTRA TV/Theatrical contract “even if you do not work this contract and never will”. Yeah, that was in an e-mail that went around. Some of these weathermen even made YouTube videos celebrating their vote, thumbing their noses at us. CLASSY.

SAG’s members themselves have now voted up a contract that will cause about 50% of the WORKING members to leave the business, but now that you’re all “back to work” you’re probably too busy to read this. Congratulations.

Thank you for allowing me to serve and to represent the membership. I hope I honored the sacrifices of past Board Members who created such wonderful benefits for me and my family like Pension & Health, Basic Minimums, and Residuals. To those members I am truly, truly grateful. Words cannot express my appreciation of your sacrifices for future generations of actors.

Thank You,
Justine Bateman

Tuesday, June 9, 2009

SAG MEMBERS OVERWHELMINGLY RATIFY TV/THEATRICAL CONTRACTS

NEWS: SAG PRESS RELEASE
Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.

The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.

The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.

Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.

The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.

Screen Actors Guild President Alan Rosenberg said, "The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.

Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”

Screen Actors Guild Chief Negotiator John McGuire said, "I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”

Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.

For further information on the new contract, including the full text and a summary of the agreement, click here.

ACTORS RESPOND TO CONTRACT RATIFICATION

Tony Shalhoub, actor
“This is a great decision for SAG and I’m so appreciative of everything the new leadership is doing to put the Guild back on track. They’ve obviously got the right ideas for making SAG stronger.”

Stephen Collins, actor
"This contract passed because members knew it was time to take advantage of the gains our negotiators won and get back to work. On top of that, they understood that risking our ability to negotiate alongside AFTRA and the other unions in the 2011 negotiations would have been a huge mistake. It's a great day for SAG."

Sam Freed, actor, 2nd National Vice President
“This decision by the membership marks the end of a very long process. We can now move forward with a new sense of certainty.”

Sue-Anne Morrow, actor, National Board Member representing New York
"This is a good deal with good gains. SAG's members clearly agree. It's about time we got a raise. I'm so pleased that SAG's members exercised their right to be heard and said 'Yes!'."

Mike Hodge, actor, National Board Member representing New York
“I am extremely pleased that we have finally come to the close of a long, unproductive period. I am hopeful that we can heal our wounds and really start the work to become a unified, national union.”

Nancy Duerr, actor, National Board Member representing SAG Florida Branch
"This is a victory for SAG performers across our region. Stalled and delayed productions can now get underway, boosting our local economies. This contract not only puts more money in members' pockets, it preserves the high standards of working conditions our members have come to expect."

Todd Hissong, actor, Chicago Branch President, National Board Member
"By passing this referendum, Chicago members have sent a clear message that we want to get back to work. Screen Actors Guild members across the country have yet again demonstrated our grasp of the issues, the importance of unionism, and our need to stand together with our sister unions to make deals that benefit us all.”

David Hartley-Margolin, Colorado actor, SAG 3rd Vice President
“The membership always has the last word when it comes to contract matters. They have spoken. Their endorsement of the deal with the AMPTP ends the uncertainty that has been hovering over us and allows Screen Actors Guild and the industry to move forward together.”

Tuesday, June 2, 2009

SAG REGIONAL BRANCH LEADERS MEET IN ATLANTA FOR ANNUAL BOARD MEETING

NEWS: SAG PRESS RELEASE
Georgia Attorney General Thurbert Baker to Welcome SAG Leaders

Atlanta, GA (June 2, 2009) – The leadership of the Screen Actors Guild Regional Branch Division (RBD) will meet for their annual board meeting June 6-7 in Atlanta, Georgia. The RBD includes 20 Branches spanning from Boston to Hawaii. Nearly 24,000 Screen Actors Guild members who work in film and television live in the regional branches.

Georgia Branch SAG member and human rights activist Elizabeth Omilami will open the board meeting for the SAG RBD. Omilami is the daughter of Civil Rights activist Hosea Williams and CEO of the organization founded by her late father, Hosea Feed the Hungry and Homeless.

Georgia Attorney General Thurbert Baker will present the welcome address. Baker is a candidate for governor in 2010. Among his many legal accomplishments since becoming attorney general in 1997, Baker has worked on local anti-piracy legislation and tax incentives for filming in the state.

The inaugural Howard Keel Award will be presented at the RBD board meeting, named for the legendary actor and former SAG President Howard Keel. The award is given to a person (or persons) who has made a significant contribution to the promotion of Screen Actors Guild and to the welfare and benefit of members in their Branch or the Regional Branch Division as part of a national union. This year, the RBD will honor Edith Ivey of the Georgia Branch and Fern Persons of the Chicago Branch.

About Howard Keel
Howard Keel burst onto the international scene in 1947 via his London theatrical performance as “Curly” in Oklahoma! Memorable film roles followed, including Annie Get Your Gun, Showboat, Kiss Me Kate and Seven Brides for Seven Brothers. Mr. Keel became SAG’s 10th National President (1958–59) and during his term the SAG National Board was increased from 39 to 52 seats, allowing for Branch representation - for the first time - from New York, Chicago, San Francisco, Detroit and Boston.

About the Honorees
Fern Persons (Chicago) became a member of the Screen Actors Guild almost as soon as the Branch was established in 1953, and served on the local Council for 44 years. Prior to the 1970’s, Branches outside of Hollywood and New York rotated service as a single shared Vice Presidency. Fern Persons led the fight to establish permanent, numbered Vice-President seats for members of the former Regional Branch Conference (now the RBD). The RBD as we know it exists in no small part due to the efforts of Fern Persons.

Edith Ivey (Georgia) has charmed audiences and bettered the lives of countless SAG members, devoting herself to enabling professional performers to live and work in Georgia and throughout the Southeast. A member since 1953, she served on numerous committees - Seniors, Agent Relations, Nominating Committees, etc. Her compassion and tenacious dedication to local members has been an incalculable asset, yet her greatest accomplishment was her co-founding of the Georgia “Casting About” program. Through “Casting About” local members were given the chance to meet face to face with casting directors from all over the Southeast, allowing members to showcase their talent as well as build productive relationships for the future. This “members only” event exposed hundreds of local actors to significant casting people in our area and led to numerous work opportunities for SAG members. Edith has been awarded the “SAG Georgia Life Achievement Award” for her efforts and is without question one of that Branch’s most beloved members.

Friday, May 29, 2009

SAG ANNOUNCES ONLINE STATEMENT OF SOLIDARITY

NEWS: SAG PRESS RELEASE

Alec Baldwin, George Clooney, Sally Field and Tom Hanks Sign Statement of Support for a YES Vote on the Tentative TV/Theatrical Agreements

Los Angeles, (May 29, 2009) - Screen Actors Guild today announced the names of 500 members who are among the first to sign SAG’s new “Statement of Support” in securing ratification of the tentative TV/Theatrical agreements. The signers include Academy Award™ winners George Clooney, Sally Field and Tom Hanks.

SAG National Board Members including Adam Arkin, Amy Brenneman, Morgan Fairchild, Dulé Hill, Ken Howard and Kate Walsh signed the statement. Former SAG President Melissa Gilbert signed, as did SAG 2nd VP Sam Freed, SAG 3rd VP David Hartley Margolin, and other notable actors such as Alec Baldwin, Ed Begley Jr., Jane Curtin, Mike Farrell, Patricia Heaton, Kathy Joosten, Rob Lowe, Ian McShane and Sam Waterston.

The SAG “Statement of Support” reads:

“I support Screen Actors Guild National Board of Directors and negotiators, and wholeheartedly recommend that SAG members VOTE YES on our tentative Television and Theatrical Contracts. The agreement provides important gains for members across the country, including a 6.5% increase in wages, additional union jobs for background actors in television programs and motion pictures, increases in major role performer payments, first time ever payments for programs streamed on the Internet and many other protections and provisions for new media. It’s time to put our industry back to work. I urge you to VOTE YES on this contract.”

The SAG.org website now features video testimonials and topical messages from Arkin, Brenneman, Hanks, Walsh and other members prominently displayed in a homepage video viewer. These videos can also be seen on SAG’s YouTube channel. Additional videos, including a message from Sally Field, will be added soon.

Initial signers of support include:
Amy Aquino
Adam Arkin
René Auberjonois
Dylan Baker
Kathy Baker
Alec Baldwin
David Alan Basche
Ed Begley Jr.
Alan Blumenfeld
Bruce Boxleitner
Amy Brenneman
L. Scott Caldwell
Gabrielle Carteris
George Clooney
Jack Coleman
Stephen Collins
Peter Coyote
Ellen Crawford
Ashley Crow
Michael Cudlitz
Steven Culp
Jane Curtin
Tim DeKay
Stacy Edwards
Morgan Fairchild
Mike Farrell
Sally Field
Kate Flannery
Kat Foster
Sam Freed
Kurt Fuller
Victor Garber
Lee Garlington
Jason George
Melissa Gilbert
Christopher Gorham
John Glover
Arye Gross
Annabelle Gurwitch
Tom Hanks
Mariette Hartley
Patricia Heaton
Dulé Hill
Judith Hoag
Ken Howard
Brian Howe
Gregory Itzin
Kathryn Joosten
James LeGros
Rob Lowe
John Carroll Lynch
Wendie Malick
Camryn Manheim
David Hartley Margolin
Ian McShane
Kathleen Noone
Mitch Pileggi
Robert Pine
Jason Priestley
Jeremy Ratchford
Pamela Reed
Mitch Ryan
Chris Sarandon
Rafael Sbarge
David Shatraw
Bill Smitrovich
Stacey Travis
Ned Vaughn
Marcia Wallace
Kate Walsh
Sam Waterston
Mykelti Williamson

Monday, May 25, 2009

SAG: "Don't be tricked into voting against the TV/Theatrical Contract"

PRESS RELEASE FROM THE FROM THE SCREEN ACTORS GUILD:
Don't be Tricked into Voting Against the TV/Theatrical Contract

Some members are trying to take our union down and continue to circulate misinformation about our tentative agreement.

Don’t be fooled into voting down a good deal, with real gains for actors.The opponents would like you to believe they have a "plan" if this agreement is voted down. They've never actually said what that plan is, and for the last year, their plan failed miserably. You lost jobs, wages and maybe even your health coverage.· After a year of negotiations and 11 months of working without a contract, we finally have a good deal.· After losing wage increases of $85 million over the last year, actors and their families need this deal now.· We need the pay raises, added residuals, better benefits, and protections for the future offered by this contract.WE have a plan – to approve this contract, get our raises, rebuild our union, and restore union pride.

Just ask yourself if it’s smart to say no to a deal with real, solid financial gains for SAG actors. After a year working without a contract… is that really smart?

A YES vote is the smart vote.

So, when you see negative attacks launched by the opponents of this deal, ask them: What’s the alternative? They won’t give an answer, because they don’t have one.

Click www.sag.org/sag-tv to see what working SAG actors think on SAG TV: “What's the Alternative?”Vote YES today and mail your ballot.Go to www.sag.org for the facts. SAG’s National Board majority knows what the alternative to a YES vote means. And they want you to know, too.For more detailed information regarding the TV/Theatrical tentative agreements, visit the Contract Center on the SAG website at www.sag.org or email your questions or comments to Contract2009@sag.org.

Thursday, May 21, 2009

SAG/AFTRA OVERWHELMINGLY RATIFY NEW TV/RADIO COMMERCIALS CONTRACTS

NEWS--SAG PRESS RELEASE

Los Angeles (May 21, 2009) —In nationwide voting completed today, members of the Screen Actors Guild and American Federation of Television and Radio Artists have overwhelmingly approved new three-year successor agreements to the 2006 Screen Actors Guild Television Commercials Contract and the2006 AFTRA Television and Radio Commercials Contracts .

The memberships of AFTRA and SAG voted 93.84% percent in favor of the new agreements. Approximately 132,000 members of the unions received ballots, of which 28% percent returned them. The final vote was certified today by Integrity Voting Systems, an impartial election service based in Everett, Washington.

The new agreements cover performers working in commercials made for and reused on television, radio, the Internet, and new media. The unions estimate that the three-year increase, which is retroactively effective to April 1, will generate more than $108 million in member earnings, including approximately $24 million in increased contributions to the SAG Pension & Health and AFTRA Health & Retirement plans. The total combined value of the AFTRA and SAG contracts is projected at more than $3 billion over the three-year term of the agreement for working performers, including actors, singers, dancers, choreographers, stunt persons, and extras.

The unions also successfully established a first-ever payment structure in commercials for the Internet and new media. The unions affirmed their jurisdiction over commercial work made for the Internet in 2000, and new media formats in 2006. The new payment structure goes into effect in the third year of the contract.

Additionally, the new contracts contain an agreement outlining terms for a pilot study to test the Gross Rating Points (GRP) model of restructuring compensation to principle performers, as proposed by Booz & Co. The two-year pilot study will be conducted by a jointly retained consultant engaged by the unions and the industry. The study is expected to be paid for by grants from Screen Actors Guild-Industry Advancement and Cooperative Fund (IACF) and the AFTRA-Industry Cooperative Fund (AICF).

“I am pleased that SAG and AFTRA were able to work together to reach an agreement that will benefit actors who work in the advertising industry,” said SAG National President Alan Rosenberg.

Praising the successful ratification, AFTRA National President Roberta Reardon observed, “I am pleased that our members have ratified these new television and radio commercials contracts. These new agreements provide significant increases in payments to working performers now—a major achievement in a severely depressed global economy—and the contracts will guarantee our continued participation in this important area of work as it evolves in response to consumer tastes and trends affected by the changing landscape of digital technology.”

“We have enormous power when we negotiate jointly and it put us in a great position from day one,” added Sue-Anne Morrow, Screen Actors Guild’s national chair of the SAG-AFTRA Joint Commercials Negotiating Committee. “Achieving a minimum for ads made for the Internet and new media was a huge win. It was time to insist that actors be paid fairly for their exposure in these developing areas and members clearly approved through their overwhelming votes to ratify.”

The pact with the Association of National Advertisers and the American Association of Advertising Agencies goes into effect retroactively to April 1, 2009, and will remain in force until March 31, 2012.

SAG and AFTRA members voted on the tentative agreement that had been reached with the advertising industry on March 31 and overwhelmingly recommended by the SAG-AFTRA Joint Board in a meeting on April 18. Ballots were mailed April 30 to all eligible members in good standing of either union.

Wednesday, May 20, 2009

ED ASNER CALLS FOR CREATION OF NEW ACTORS UNION IN HOLLYWOOD

MEMBERSHIP FIRST'S ED ASNER SPOKE AT A RALLY IN GRIFFITH PARK IN LA ON MAY 17 AND CALLED FOR MEMBERSHIP FIRST TO CONSIDER BREAKING AWAY FROM SAG AND CREATING A NEW ACTORS UNION IF THE TV/THEATRICAL CONTRACT IS RATIFIED BY MEMBERS.

"PIGMIES OF THE ENTERTAINMENT WORLD" IS HOW ED ASNER, A FORMER PRESIDENT OF THE SCREEN ACTORS GUILD, DEFINED THOUSANDS OF WORKING ACTORS ACROSS THE UNITED STATES.

THE FORMER SAG PRESIDENT SAYS "HE HAS NO BIG SOLUTIONS" BUT URGES MEMEBERSHIP FIRST PARTISANS TO CAMPAIGN AGAINST THE TV/THEATRICAL CONTRACT.

Below is the entire explosively divisive speech made by former SAG President Ed Asner at Membership First's "Vote No Rally" in Griffith Park on May 17, 2009.

ED ASNER (into bullhorn): "Does this work? I wish I was. (Laughter). Uhhh…I understand that, what is it, on the 21st? Uh..Mr.—Mr. White, is going to deliver a (Off: "Hang the white guy!")…deliver a…(Off: "Traitor!")…a considered opinion as to why we should okay this contract. And, ah, I gather you'll all be there to help him explain (Off: "Oh yeah!") and to delineate and—uh—show people how we'll benefit in future years from this great contract.

I am merely here to add to all the other good people that talked to you today,and to say that it is the beginning of the end if we sign this contract. It may well be the "end of the end", I don't know. There's a Churchill-ian phrase for that (Off, female voice says something in Italian). What she say? (Off: malevoice "We just gotta defeat it!") Oh! Well! Defeat it! Yes!

But we are surrounded by the pigmies of the entertainment world. We're surrounded by New York, and its little people branches and it—it's an enormous uphill fight that we have to fight, to win this battle.

WE –control –and inspire the working actors in this business. We are Hollywood. Hollywood is the heart and soul of this business (applause). And I really don't have—you've heard me speak many times in the past—I don't have any big solutions or hopes, or resolutions, but I call upon you here today, that if they defeat us in this contract, that it is up to all of us—all of us—to go out and create a new union to believe in. Because these other bastards will have betrayed us. We will have to fight for what WE want, for ourselves, our children, and the future and dignity of screen-actors in Hollywood.

You are Hollywood. Don't let them betray the principals by which our union has existed. It began in Hollywood, and prospered in Hollywood and the moguls respected it. Now these moguls are dirty, shorted—tramps. They do not believe in anything in concerning—they certainly never held down a job. Other than being a mogul. It is up to us to restore the dignity that the former moguls allowed; the Lew Wassermans in this town. It's up to us to find those people to control and not let science run away with the Igers and the, uh, Peter Chernins and the ,uh, Les Moonves, and the Sumner---what ever the hell his name is---Redstone! What a strange name for a Jewish man! (Laughter).

We have to fight them here and now. We have to re-create Hollywood, if necessary, if National SAG betrays us with this contract.Remember that. Think about it. Think about how to do that. I thank you for letting me speak." (Applause).

end transcription

Friday, May 8, 2009

SAG TOWNHALL MEETINGS IN HOLLYWOOD AND NEW YORK: VOTE "YES" ON THE TV/THEATRICAL CONTRACT

SAG NEWS: A Letter from David White:

As you know, the Screen Actors Guild National Board of Directors voted April 19, 2009, to approve and recommend to members, new, two-year successor agreements to the 2005 Producer-Screen Actors Guild Codified Basic Agreement and 2005 Screen Actors Guild Television Agreement.



Ballots will be mailed to all eligible members on May 19, 2009. Ballots must be mailed in the return envelope provided and received at the Everett, WA, post office box no later than 5:00 p.m. (PDT) June 9, 2009. Ballots received after this deadline, or at a location other than the post office box, will not be counted.



We are holding member informational meetings so that you can hear about the tentative agreement and ask questions. Member informational meetings are scheduled for Hollywood and New York as follows and will be announced for Branch locations next week.



HOLLYWOOD

Thursday, May 21, 2009

7 p.m. – 9:30 p.m.

Renaissance Hollywood Hotel

Hollywood Ballroom

1755 N. Highland Ave.

Hollywood, CA 90028



PARKING: No-host self parking at Hollywood & Highland – validation available at the Hollywood & Highland complex: $2 for 4 hours when you are validated in any shop, restaurant or theatre that is part of the mall. Guild not responsible for illegally parked vehicles.



NEW YORK

Monday, June 1, 2009

6 p.m. - 8 p.m.

Directors Guild of America

110 West 57th Street (between 6th & 7th Aves.) New York, New York



Unfortunately, no guests will be allowed. Parents/guardians of younger performers under 18 years-old are welcome. PLEASE BRING YOUR SAG MEMBERSHIP CARD FOR ADMITTANCE (paid thru April 30, 2009). For more information call the National TV/Theatrical Contracts Hotline (323) 549-6665 or email contract2009@sag.org.



Member informational meetings are also planned for Branch locations across the country. More information on Branch member informational meetings will be available shortly.



Please plan to attend the member informational meeting in your area to get important facts regarding the tentative agreement. Screen Actors Guild negotiators, national board members and staff experts will be on hand to provide a thorough overview of the tentative agreement.



You can also find more information on the upcoming referendum, including details of the tentative agreement, by visiting the TV/Theatrical Contracts Center at www.sag.org or by emailing contract2009@sag.org.



We know how important this contract is to all Screen Actors Guild members. We urge you to stay informed by visiting www.sag.org often, attending the member informational meeting in your area and contacting us with questions and comments.



Watch for your ballot which is mailing May 19, 2009, and when you receive it, vote yes and return your ballot right away. Don't delay, ballots must be received by June 9.



In unity,



David P. White

Interim National Executive Director



John T. McGuire

Chief Negotiator



Screen Actors Guild National Board of Directors Strongly Recommends your “Yes” Vote on this contract. Let’s get back to work with a raise.

Sunday, April 19, 2009

SAG NATIONAL BOARD OF DIRECTORS APPROVES TENTATIVE TV/THEATRICAL CONTRACTS AND RECOMMENDS RATIFICATION

SAG'S PRESS RELEASE:
SCREEN ACTORS GUILD NATIONAL BOARD OF DIRECTORS APPROVES TENTATIVE TELEVISION AND MOTION PICTURE CONTRACTS AND RECOMMENDS RATIFICATION Los Angeles (April 19, 2009)

– The Screen Actors Guild National Board of Directors today voted 53.38 percent to 46.62 percent to approve and recommend to members, new, two-year successor agreements to the 2005 Producer-Screen Actors Guild Codified Basic Agreement and 2005 Screen Actors Guild Television Agreement.

The proposed agreement, covering actors in motion pictures and television delivers 3.5% effective annual increases comprised of a 3% wage increase and a .5% pension and health contribution increase upon ratification, and a 3.5% wage increase in year two.

The board passed the below motion shortly after 4:00 p.m. today: It was moved and seconded that the National Board directs the Interim National Executive Director to send the tentative agreement between the Producers represented by the AMPTP and the Screen Actors Guild for successor agreements to the 2005 Producer–Screen Actors Guild Codified Basic Agreement and the 2005 Screen Actors Guild Television Agreement to the membership for ratification, with a recommendation from the Board to vote ‘Yes.’Approved: 53.38% –46.62%

“I urge members to carefully review both the pros and cons in the referendum materials, and exercise their right to vote,” said Screen Actors Guild National President Alan Rosenberg. Interim National Executive Director David White said: “We are pleased that Screen Actors Guild members will soon be voting on a deal for television and motion pictures. We’re eager to get our members back to work and to focus now on the challenges ahead, particularly on initiating a comprehensive effort to thoughtfully plan for the future. Our negotiating committee, task force and professional staff have worked countless hours on this agreement over the last year. On behalf of the National Board, I thank them for their time, commitment and expertise.” Chief Negotiator John McGuire stated: “This tentative agreement delivers increased contributions to the SAG pension plan, increased minimums, a significant gain in background actor numbers from 50 to 55 over the term of the contract, and it tracks the new media provisions achieved by other entertainment industry unions. The term of the agreement puts SAG in sync with the other unions, and does not include the extended term recently proposed by the AMPTP.”

Provisions of the proposed deal include:
• A two-year term of agreement concluding June 30, 2011.
• Effective annual increases comprised of 3.0% in wage increases and .5% in pension contributions upon ratification, and a 3.5% wage increase one year following ratification.
• A new media structure that tracks those achieved by other industry unions, resulting in gains for actors including:o Jurisdiction on all derivative, made-for new media productions; automatic jurisdiction on all high-budget, original, made-for new media productions; plus jurisdiction on low budget original, new media productions that employee at least 1 covered performer.o Residuals for exhibition of TV and Theatrical motion pictures on consumer pay platforms (Electronic Sell Through) at a greater percentage than those paid for DVD distribution.o Residuals for ad-supported streaming of feature films and television programs.o Residuals for derivative new media programs.
• Additional 5 covered background actors in feature films. From 50 to 53 covered background positions upon ratification of the contract, and from 53 to 55 covered background positions in year 2. Adds 1 covered background position in TV, from 19 to 20, upon ratification.• Increased compensation for guest star premium from 7.5% to 10%.
• Increased trailer money break from $2,500 to $3,000, or more per week.
• Increased overtime money break for three-day performers from $2,700 to $3,000.Ratification ballots will be mailed to eligible SAG members in early May, with an expected return date at the end of the month. Tabulation will occur immediately upon the conclusion of balloting.Bargaining for a successor agreement to the 2005 SAG TV/Theatrical Contract began on April 15, 2008.

Saturday, April 18, 2009

SAG/AFTRA JOINT BOARD APPROVES COMMERCIALS CONTRACT AND RECOMMENDS RATIFICATION

From the Screen Actor's Guild, 18 April, 2009

Dear Screen Actors Guild member:

We are pleased to inform you that the Joint National Board of Screen Actors Guild and AFTRA today voted to approve and recommend a new Commercials Contract Agreement. Please see the following announcement for more information.



Meeting by videoconference plenary in Los Angeles and New York, the Joint SAG-AFTRA National Board today voted unanimously to approve and recommend to members, new three-year successor agreements to the 2006 AFTRA Television and Radio Commercials Contracts and the 2006 Screen Actors Guild Television Commercials Contract.

The proposed agreements, which cover performers working in commercials made for and reused on television, radio, the Internet, and new media, will net a three-year increase in payments to performers totaling an estimated $36 million, including approximately $21 million in increased contributions to the SAG Pension & Health and AFTRA Health & Retirement plans. The total combined value of the AFTRA and SAG contracts is projected at more than $2.9 billion for working performers, including actors, singers, dancers, choreographers, stunt persons, and extras.

Additionally, the new contracts contain an agreement in principle outlining terms for a pilot study for the purpose of testing the Gross Rating Points (GRP) model of restructuring compensation to performers as proposed by Booz & Co. The two-year study will be conducted by a jointly retained consultant engaged by the unions and the industry. The study will be paid for by grants from Screen Actors Guild-Industry Advancement and Cooperative Fund (IACF) and the AFTRA-Industry Cooperative Fund (AICF).

The unions also successfully established a first-ever payment structure in commercials for the Internet and other new media platforms. The unions established jurisdiction over commercial work made for the Internet in 2000, and new media formats in 2006. The new payment structure goes into effect in the third year of the contract.

The referendum will be mailed to the members of both unions next week (dual SAG and AFTRA members will receive one ballot) with a return date in mid-May. Results will be announced at that time.

Following the vote, AFTRA National President Roberta Reardon and AFTRA Chair of the Joint Negotiating Committee said: “Our new agreement is a major achievement in any economy, but it is especially crucial for union members working to make ends meet in today’s difficult marketplace. I applaud the vision and hard work of the joint committee who worked together to win increases both in performers’ minimum compensation and in employer contributions to our health and pension plans, and who successfully preserved Class A payments so critically important to our members around the country.”

Screen Actors Guild National President Alan Rosenberg said: “I am pleased and gratified to have achieved these gains and to approve this agreement for ratification. I congratulate all of the parties, and particularly the co-chairs, committee members and staff on the remarkable gains they achieved for actors across the country.”

“It’s a solid agreement with meaningful gains,” said Screen Actors Guild Chair of the Joint Negotiating Committee Sue-Anne Morrow. “There are significant improvements in compensation and benefits for union commercial actors and it gives the industry, including our members, a measure of financial certainty in an uncertain economy. It also guarantees advertisers continued access to the finest actors in the world on whose talent their brand success often rests. It’s a win for actors, a win for the industry, and a win for consumers.”

Screen Actors Guild Chief Negotiator John McGuire, a veteran of more than 10 separate commercials contracts negotiations said: “This is an agreement we can all be proud of and I look forward to ratification by the members of Screen Actors Guild and AFTRA. I commend the negotiating committee chairs, co-chairs, and members, along with my colleagues Ray Rodriguez, Screen Actors Guild’s Deputy National Executive Director of Contracts, and Mathis Dunn, AFTRA’s Chief Negotiator.”

“This is a successful conclusion to a challenging negotiation, conducted during a difficult economic and technological time in the industry. As always, that success rests with the members of our joint committee, our staff and our counterparts at the Joint Policy Committee. Together, we served the interests of actors and the industry,” McGuire added.

AFTRA Assistant National Executive Director Mathis L. Dunn, Jr., who served as AFTRA Chief Negotiator, noted: “I commend all of our union members who participated in the many educational, informational, and wages and working conditions meetings leading up to these negotiations. They delivered a clear message to our joint negotiating committee on their priority issues. I am proud to say that we delivered on these priorities and much more. The agreement will enhance the careers of all working performers today, and protect future generations of union members as technology and consumer tastes shift in the radically changing world of new media.”

Highlights of the new agreement include:


Three-year agreement, term effective April 1, 2009 to March 31, 2012, upon ratification by members of both unions.
5.5% overall increase in wages and other compensation over the life of the contracts, including a 4.43% increase, effective April 1, 2009, in Class A, Wild Spot, and basic cable session and use fees.
For product moved over to the Internet or in New Media, compensation of 1.3 times the minimum session fee for 8 weeks of use and 3.5 times the minimum session fee for one year’s use.
For product made for the Internet or New Media, a new minimum rate structure of 1.3 times the minimum session fee for 8 weeks of use and 3.5 times the minimum session fee for one year’s use, effective in the third year of the contract.
0.5% increases in the employer contribution rate to the AFTRA H&R and SAG P&H plans, and a 0.2% increase in employer contributions to the SAG Industry Advancement Cooperative Fund and the AFTRA-Industry Cooperative Fund, bringing the total contribution rate to 15.5%. Effective in year three, the agreement provides for a cap on P&H and H&R contributions for services covered by the contracts to $1 million per performer, per contract, per year with anticipated net gains in P&H and H&R over the term of the contract.
Secured five new covered jobs for commercial extras, up from 40 to 45.
Established new exclusivity compensation for made-for cable only commercials.
Instituted, for the first time, a contract provision to pay extras a round-trip mileage fee of $8.
Increased foreign use payments under the Spanish Language section of the contract.
The across the board increase under the AFTRA Radio Commercials Contract is 5.35%, in addition to contributions to AFTRA H&R and the AICF.
All of the unions’ proposals regarding diversity issues were addressed in the negotiations.


AFTRA and SAG joint member education and informational meetings will be conducted around the nation to provide members with an opportunity to ask questions and learn more about the new agreements prior to voting.

Formal negotiations between the 26-member AFTRA/SAG Joint Negotiating Committee and the Joint Policy Committee (JPC) of the American Association of Advertising Agencies (AAAA) and the Association of National Advertisers (ANA) began on February 23 and concluded on the morning of April 1 in New York City.

Friday, April 17, 2009

SAG/AMPTP REACH TENTATIVE AGREEMENT ON TV/THEATRICAL CONTRACT--MEMBERSHIP FIRST VOWS TO FIGHT RATICFICATION

Variety has reported on SAG and the AMPTP reaching a tentative agreement on the TV/Theatrical contract. This is the same contract that Membership First's Alan Rosenberg, along with SAG's previous National Exec Director Doug Allen, were unable to negotiate. Now that some progress has been made, Membership First, lead by Alan Rosenberg and Anne-Marie Johnson, have vowed to fight ratification.

Here's Variety's report on the issue:

SAG, AMPTP reach tentative deal
Guild's national board to review this Sunday
By VARIETY STAFF, VARIETY STAFF

http://www.variety.com/article/VR1118002545.html?categoryid=1066&cs=1


SAG and the congloms have reached a tentative agreement on the
feature-primetime contract -- nearly 10 months after the previous deal
expired.
Both the Screen Actors Guild and the Alliance of Motion Picture and
Television Producers made the announcement early Friday afternoon.

SAG's national board is expected to approve the terms of the pact at
its meeting this weekened -- triggering the mailing of ratification
ballots to its 120,000 members.

The deal comes following two months of back-channels talks between SAG
toppers and moguls such as Disney's Robert Iger and News Corp.'s Peter
Chernin. The last key points to be settled centered on SAG insisting
on an expiration date in June 2011 in order to stay in synch with the
WGA, DGA and AFTRA expirations.

The back-channel talks also focused on settling claims for force
majeure payments to actors from TV series that went dark during the
writers strike.

Deal comes three months after the moderate majority on SAG's board
ousted Doug Allen as SAG national exec director for allegedly botching
the negotiations. Allen was replaced by David White as interim
national exec director and by John McGuire as chief negotiator.

The hardline Memebership First faction, which lost its board majority
last fall, has vowed it will urge members to vote down the deal -- on
grounds that it falls short in on on multitude of areas, particularly
new media.

The AMPTP has contended that its offer -- first made last summer -- is
in line with those deals accepted by the other guilds last year and
remains generous amid the declining economy.

Tuesday, February 3, 2009

NATIONAL BOARD RESPONDS TO ROSENBERG'S LAWSUIT

NATIONAL BOARD RESPONDS TO ROSENBERG'S FIRST SHOT FIRED IN HIS 'CIVIL WAR' WITH THE SCREEN ACTORS GUILD. MEMBERSHIP FIRST LEADERS ALAN ROSENBERG, ANNE MARIE JOHNSON, KENT MCCORD AND DIANE LADD SUING THE SCREEN ACTORS GUILD.

Statement from Members of the New
SAG National Board Majority

[Hollywood, CA] Tuesday, February 3rd, the National President of the Screen Actors Guild Alan Rosenberg, together with National 1st Vice President Anne Marie Johnson and SAG Hollywood National Board Members Kent McCord and Diane Ladd attempted to file a temporary restraining order (TRO) against their own Guild in order to halt the resumption of negotiations with the AMPTP. The order was denied by a Los Angeles County judge due to technicalities in its filing, but the group plans to re-file on Thursday, February 5th.

The affect of the TRO has been to chill the AMPTP and SAG’s return to the table, led by its duly-hired interim national executive director, David White, and 40+ year SAG staffer, John McGuire who has successfully negotiated over 30 contracts for the Guild. The return, after many months’ stalemate, was made possible by the hire of Mr.
White and by the assignment of Mr. McGuire to the task of completing the TV/Theatrical negotiations. Immediately upon hearing of the TRO, the AMPTP refused to re-enter the process.

As SAG national board members and as rank & file union members, we are stunned that any elected union official would take steps to halt contract negotiations of any kind. Such a brazen attack by nationally elected union leaders on the very foundation of collective bargaining
- that of employers and workers meeting together to arrive at an agreement acceptable to both - is unprecedented in the history of the American Labor Movement.

Members from all three Divisions of the Guild have expressed their displeasure at today’s events. “This action is just one more irresponsible mis-step by the Hollywood Membership First faction,”
said New York’s Sam Freed, SAG 2nd National Vice President. “They are so desperate to hold onto their power that they are willing to burn down their own house.”

Former Hollywood National Board Director Tess Harper agrees: “These actions only hurt SAG. What our members need is a contract….now.”
SAG Chicago Branch President and National Board Director Todd Hissong concludes, “These individuals care more about winning fruitless political battles than advocating for the welfare of our members.”

We wish to assure our members that the new majority of the SAG National Board and National Staff will continue in our efforts to resume these negotiations as soon as possible so that we may deliver an equitable contract for your approval.

SAG'S CONTRACT TALKS DISTRUPTED BY LAWSUIT BY PRESIDENT ALAN ROSENBERG

SAG'S CONTRACT TALKS WITH AMPTP DERAILED BY ROSENBERG, JOHNSON, MCCORD AND LADD. INTERIM NATIONAL DIRECTOR DAVID WHITE SENDS MEMO TO MEMBERS EXPLAINING.

Dear Screen Actors Guild member,

As you know, the Guild was scheduled to resume negotiations today regarding the expired TV/Theatrical contract. However, that meeting had to be postponed due to a legal matter that has been brought against the Guild, which is now before a state court in Los Angeles. I am writing to present you with information about this development.

Yesterday, the Guild received notice that President Alan Rosenberg, 1st Vice President Anne-Marie Johnson and National Board members Kent McCord and Diane Ladd filed a lawsuit against the Guild challenging the January 26, 2009 “written assent” presented by a majority of the National Board of Directors. As you know, that written assent terminated the Guild’s relationship with its then-National Executive Director; created and appointed a national task force to advise the Chief Negotiator and the Board on the TV/Theatrical negotiations; named John T. McGuire as Chief Negotiator; and named me as Interim National Executive Director. If successful, this legal action could impact or even reverse those board actions.

As a result, attorneys for Screen Actors Guild appeared this morning in Los Angeles Superior Court to respond to the lawsuit. After hearing from attorneys representing the plaintiffs, as well as the response from SAG counsel, the Court ruled that the lawsuit was procedurally defective and refused to issue the requested injunction.

The Plaintiffs’ counsel then stated that they intend to amend their documents and resubmit them this Thursday morning, February 5, 2009. The Guild will present a vigorous defense.The Guild understands the importance of concluding negotiations and securing a fair contract for SAG members and looks forward to re-engaging with the AMPTP as soon as possible. In the meantime, the Guild continues to work in the service of its members, with focus, dedication and commitment.

David White
Interim National Executive Director